Golden Flower - Ruby Heart
by Michele Avanti
Title
Golden Flower - Ruby Heart
Artist
Michele Avanti
Medium
Photograph - Digital Art
Description
Golden Flower - Ruby Heart, an expressionist work of digital art by photographic illustrator, Michele Avanti,
Here is the Golden Flower that symbolizes the power of the god, Zeus and with its Ruby heart, the love of his wife and goddess, Hera. Masculine power is exemplified through its numerous golden metal petals. While from its heart center, you see the rubies of Hera, a symbol of love that tempers the gold as it flows out through the veins of each petal, softening them.
This image expresses the act of manifestation. When the blend of power and love is balanced, it results in a priceless structure of strength and beauty.
Featured:
Contemporary 09/29/2014
Digital Art and Fabulous Fractals 09/29/2014
Zeus (Ancient Greek: Ζεύς, Ze�s; Modern Greek: Δίας, D�as; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter.
Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo and Artemis, Hermes, Persephone (by Demeter), Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses (by Mnemosyne); by Hera, he is usually said to have fathered Ares, Hebe and Hephaestus.[6]
As Walter Burkert points out in his book, Greek Religion, "Even the gods who are not his natural children address him as Father, and all the gods rise in his presence."[7] For the Greeks, he was the King of the Gods, who oversaw the universe. As Pausanias observed, "That Zeus is king in heaven is a saying common to all men".[8] In Hesiod's Theogony Zeus assigns the various gods their roles. In the Homeric Hymns he is referred to as the chieftain of the gods.
His symbols are the thunderbolt, eagle, bull, and oak. In addition to his Indo-European inheritance, the classical "cloud-gatherer" (Greek: Νεφεληγερέτα, Nephelēgereta)[9] also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses: standing, striding forward, with a thunderbolt leveled in his raised right hand, or seated in majesty.
Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.[1][2] Expressionist artists sought to express meaning[3] or emotional experience rather than physical reality.
Expressionism was developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,[1] particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music.
The term is sometimes suggestive of angst. In a general sense, painters such as Matthias Gr�newald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism and other artistic styles such as Naturalism and Impressionism.
Hera (/ˈhɛrə/, Greek Ἥρα, Hēra, equivalently Ἥρη, Hērē, in Ionic and Homer) is the wife and one of three sisters of Zeus in the Olympian pantheon of Greek mythology and religion. Her chief function was as the goddess of women and marriage. Her counterpart in the religion of ancient Rome was Juno.[1] The cow, lion and the peacock were considered sacred to her. Hera's mother is Rhea and her father Cronus.
Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy.[2] Scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos."[3]
Hera was known for her jealous and vengeful nature against Zeus's lovers and offspring, but also against mortals who crossed her, such as Pelias. Paris also earned Hera's hatred by choosing Aphrodite as the most beautiful goddess.
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September 29th, 2014
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